At some point, the "Music We Like" archive is going to include a negative album review. Based on memories of listening to the album as a youth and my subsequent evolution of musical preferences, I was prepared to make Screen Kiss that first less-than-enjoyable inclusion. Later Oo Oo Wa and the (everyone but Callahan) Mink release are some of my favorite Dayton music creations, but this album was different - it was described as "retro pop" even when released. I picked it up again without great enthusiasm. Just document the landscape in which you grew up, Mike. This is so far removed from what one would expect from a small independent release in the early 1990s. There is a definite 80s light pop feel on almost every track - synthesizers, smooth singing, and clean/clear instrumentation. Easy listening this is. But, let me pull back from the negative imagery I'm creating. In 2011 and with 33 years behind me, I like this album. Nick Eddy is on a very short list of vocalists that I hold in the highest esteem. And, the atmosphere created by the entire ensemble is clearly the work of people who got into character (new romantics?) and put the time into perfecting their vision. The songs are distinct and different but, in my mind, most do not jump out and grab the listener individually. I like the beginning tracks ("Godliness" and "Say It's a Deal") but are they really better than the ending tracks or a pair of songs in the middle of the album? Yea, I wake up humming "my dad saw stars in the daytime" (from "Stars in the Daytime"), but, when I pop this album into my cd player, I don't go to that song. This is an album for album-listening... ...except for two songs. The singles, if you will. "Rocketship" is one of my all-time favorites. Soft instrumentation and gentle lyrics are contrasted masterfully with a harder edged guitar and a bolder chorus. A glimpse of the future evolution of Oo Oo Wa. In this case, a silly set of lyrics that work as a superb love song, and the highlight of the album. That is, unless you're looking for a simple and wonderful creation that also doesn't quite blend into the album. "See Paris" is a gem that combines an excellent acoustic guitar with a just right backing (cello sound, piano, soft percussion). Eddy nails the lead vocals, which act as guide to the listener who is lead through the streets... or maybe just a memory. Minus these two essential songs, Screen Kiss is far from excellent. It is, however, something a little unexpected. Independent soft pop. Go figure.